Missy Mazzoli will be featured on the Miller Theatre Composer Portrait series, February 5, 2015, with special guests Ethel String Quartet, violinist Robert Simonds, violist Nathan Schram, cellist Jody Redhage, and soprano Marnie Breckenridge.
For more info: http://www.millertheatre.com/event-series/composer-portraits
Missy Mazzoli and Victoire are excited to be joining forces with composer/electric guitarist Noveller and synthpop chanteuse Glasser in Minneapolis on May 9 and in Cincinnati on May 10, 2015! The evening will explore the sonic intersections of woman and machine with manipulation and composition, and also feature solo sets from each artist, culminating in a collaborative finale.
Presented by The Saint Paul Chamber Orchestra’s Liquid Music Series and the Walker Art Center in Minneapolis and the Contemporary Arts Center in Cincinnati.
Video now available for the premiere of Missy Mazzoli’s River Rouge Transfiguration, performed by the Detroit Symphony Orchestra conducted by Leonard Slatkin.
Following the premiere of Missy Mazzoli’s Sinfonia for Orbiting Spheres with the LA Phil New Music Group, Mark Swed of the Los Angeles Times praised the work, stating:
“Mazzoli’s is music not so much of, as out of, the spheres. Strings and winds swirl and swoon, sliding magically around pitches. There is no pulse, no thousand points of starlight, rather the motion of waves. She manages to squeeze in the hurdy gurdy without ever losing the sensation of gorgeous celestial bodies in the ether. The Sinfonia lasted 14 minutes and came near the end of a long concert that went to midnight. But this is music for a long night that never ends.”
Read the full review here.
The Philadelphia Inquirer’s David Patrick Stearns recently published an article covering the recently preview of Missy Mazzoli’s new opera, Breaking the Waves, as part of Opera Philadelphia’s Double Exposure Series.
Stearns states: “In Breaking the Waves, based on the von Trier film, Mazzoli’s voice is like a 21st-century refraction of the Smetana/Janacek nexus, conveying the under-the-surface repression in the small-town community.”
Read the article here.